It is in my customary Quasi-Rodgers channel setup. Licensed users of the Baumhoer sampleset
will be able to use the registrations I used and alter them. You may purchase this sampleset from PipeLoops.
All others will be able to create their own registrations on different instruments.
The file named OrganID001122.rar should be unpacked in a separate directory and added manually to the folder C:\Hauptwerk\HauptwerkUserData\Combinations\OrganID001122\ Do a backup first so as not to erase combinations you may have created with the same name. To alter the registration, stop the MIDI file, turn on Combination Capture CTL-; change stops; go to current frame CTL-down arrow key; turn off capture CTL-' and proceed playing the MIDI. Save the new combination file under a different name. If your MIDI player has a tempo control (I use van Basco Karaoke player to play slower or faster), you can adjust tempo to different rooms, samplesets, and your own taste. While you're playing back a piece, say Trio Sonata No. 2, BWV 526, try exploring different temperaments, which you can do as it is playing. Note that some change pitch dramatically (anything with "Roetha" in front of it). If you like to use shortcut keys a lot as I do, and maybe make typing misteaks as much as I do, it might be well to familiarize yourself with the effects they can have. Click any of the tabs at the top and a list will pop up. Moving the mouse over any other tab to see other shortcut keys. Clicking on your keyboard's ESC key will make it go away. You can check the status om some of them by looking at the bottom cells. In addition to Current Frame, you can see the Transposer, Tuner, Temperament, Recorder, and Capture statuses. Any two manual and pedal organ will play these files, but you will have to create the registrations yourself. Usually they just use Generals 1 through 14, but sometimes banks and even sequential frames are used when the number exceeds 8. BTW the Bank are groupings of 64 Frames. You will see the numbers 1 - 65 - 129 etc. in the lower left part of the window when you push CTL-1, CTL-2, CTL-3 etc. Pushing CTL-cursor right advances 1 frame, CTL-cursor left decreases 1 frame. My suggestion is that you create a new registration file in your (2-manual) sampleset of choice, add stops that you will be able to hear on each of the eight banks, play the MIDI file, change registrations according to your grand plan. If the organ drops out, usually at the end, you will see that a new frame has been accessed. Stop the MIDI file and make adjustments. It will probably be based on the frame that precedes it. In a very few cases. two frames or banks are accessed quickly so that, for example, a pedal reed can be added or a manual that is not playing can be augmented or decreased in preparation for a manual change. Save the results to a new combination file. I made extensive use of couplers and compensated for any overlaps or blurs that may have been present. I also used the G.O. expression extensively, and experimented with Prospect Enclosed and noise features. Usually I opted for the organ's temperament. Many of the tracks were completely reworked in regards to articulation.Because there were only 6 combination pistons I sometimes mixed those with Registration Banks. COMPOSER|SEQUENCE NAME MIDI FILE TIME BACH Air from Suite No. 3 in D bach_a4gs_bau.mid 4:0 Concerto in C Major bwv984_bau.mid 7:15 Concerto in C Major after Vivaldi bwv594_bau.mid 18:19 Der Tag, Der Ist So Freudenreich bwv605_bau.mid 3:0 Fugue on the Magnificat bwv733_bau.mid 4:15 Gelobet Seist Du, Jesu Christ bwv604_wc_bau.mid 1:50 Gott, durch deine Gute bwv600_bau.mid 2:9 Helft Mir Gott's Güte Preisen bwv613_wc_bau.mid 2:6 Lob sei dem allmächtigen Gott bwv602_wc_bau.mid 1:23 Partita on Christ, der du bist der helle Tag bwv766_bau.mid 8:20 Toccata, Adagio and Fugue bwv564_bau.mid 13:33 Vom Himmel Hoch bwv606_wc_bau.mid 1:12 BENNETT Trumpet Voluntary bennett_tv_bau.mid 5:58 BRAHMS Herzlich tut mich verlangen (II) brahms_herz2_bau.mid 2:20 O Welt, ich muß dich lassen (II) brahms_owelt2_bau.mid 1:44 BRIXI Toccata la minore brixi_t_am_bau.mid 3:54 BUXTEHUDE Praeludium in F Major buxwv144_bau.mid 3:4 Prelude and Fugue in G minor buxwv149_bau.mid 7:59 Wie schön leuchtet der Morgenstern buxwv223_bau.mid 6:48 Wir danken dir, Herr Jesu Christ buxwv224_bau.mid 1:31 DUPRÉ Antiphon I dupre_ant1_bau.mid 2:25 Elévation dupre_ele_bau.mid 3:4 Magnificat IV dupre_mag4_bau.mid 2:3 Magnificat VI dupre_mag6_bau.mid 2:1 FRANCK Cantabile franck_cant_bau.mid 4:17 Chorale I franck_c1_bau.mid 13:52 Chorale II franck_c2_bau.mid 11:40 FROBERGER Capriccio I fro_cap1_bau.mid 3:2 HANDEL Air from Water Music Suite hand_wms_bau.mid 5:49 KARG-ELERT Aus meines Herzens Grunde ke_65_02_bau.mid 2:8 Herzlich tut mich verlangen ke_65_16_bau.mid 3:15 Herzliebster Jesu ke_65_17_bau.mid 3:21 Wachet auf, ruft uns die Stimme ke_65_33_bau.mid 4:14 KREBS Fantasia sopra Freu dich sehr, o meine Seele krebs_iii_03_bau.mid 3:43 Trio in Em krebs_ii_31_bau.mid 5:39 MENDELSSOHN Sonata V mend_acm_bau.mid 3:18 PACHELBEL Magnificat Quinti Toni pach_mag5_bau.mid 14:33 Nun komm, der Heiden Heiland pach_nun_bau.mid 2:37 REGER Freu' dich sehr, o meine Seele reger_67_11_bau.mid 1:43 Nun komm, der Heiden Heiland reger_67_29_bau.mid 1:5 Wachet auf, ruft uns die Stimme reger_135a_25_bau.mid 1:17 Wachet auf, ruft uns die Stimme reger_67_41_bau.mid 2:19 SCHUMANN Canon 4 schu_56_4_bau.mid 4:30 Sketch 4 schu_58_4_bau.mid 2:53 STRUNGK Meine Seele erhebet den Herrn strungk_mse_bau.mid 2:6 TITELOUZE Magnificat Quarti Toni tite_mag4_bau.mid 11:50 Veni Creator (4 verses) tite_vc_bau.mid 7:43 VIERNE Carillon de Westminster vierne_cdw_bau.mid 6:52 Lied vierne_op31_17_bau.mid 5:17 WECKMANN Nun freut euch, lieben Christen g'mein weck_nfe_bau.mid 1:47