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UPDATED 06/08/2008
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FEATURED INSTRUMENT CONCERT
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Gottfried Silbermann Organ, St. Marienkirche / Rötha, Germany (1722) - Samples by Brett Milan
- Bach, Johann Sebastian: Prelude and Fugue in A minor, BWV 543
- One of the mature masterworks. The Prelude starts with arpeggios on the manuals, to which is added a pedal point, proceeding to manual flourishes, a
pedal solo based on the opening motive, and proceeding to a strong dialogue between manual and pedals. The Fugue has an infectious momentum and ends
with one of the strangest cadenzas in all of Bach. The Pedal of only one 16' stop is bolstered by Manual II, which is also used very creatively as a
foil to Manual I. The illusion of ringing of bells in this piece seems to be a result of the spacious acoustics.
[10:54]
HW1
- Buxtehude, Dietrich: Ach Gott und Herr, BuxWV 177
- Two verses, the first with the Chorale sounded in the pedal at 4' pitch (Man. I Principal 8', PD coupled to Man. II Rohrflöte 4' + Octava 2'),
the second with an ornamented version of the Chorale in the soprano (LH Man. I Principal 8' + Octava 4'; RH Man II full cornet; PD 16 Subbass + Man.
I/P).
[1:57]
HW1
- Pachelbel, Johann: Toccata in G minor (IV)
- Like the other 3 Toccatas in this key, organ points in the pedal ground the harmonic structure and the manual plays simply and joyfully in mostly two
voices.
[1:38] (A=465)
HW1
- Bach, Johann Sebastian: Ach bleib bei uns, Herr Jesu Christ, BWV 649
- This transcription is from the 5th movement of Cantata 6 for the second day of Easter: "Bleib bei uns, denn es will Abend werden." Regisstration -
Man. I Prinzipal 8+Oktava 4+Quinta 1 1/2; Man. 2 Full cornet; Pedal Subbass 16 and Man. I/Pedal coupler. The pedal is a little jumpy as it tries to
avoid overlaps with the left hand.
[2:37]
Midi file available.
HW1
- Buxtehude, Dietrich: Magnificat Primi Toni, BuxWV 204
- Festive setting with several mini-textures. Registration: Man. I Principal 8' + Octava 4' + Quinta 1 1/3' + Cymbeln II; Man. II Gedeckt 8' + Rohrflöte
4 + Nassat 3' + Octava 2';
Pedal Subbass 16' + Man. II/PD coupler.
[2:7] (A=465)
HW1
- Bach, Johann Sebastian: Fugue in G Major "Gigue", BWV 577
- Crisp and bright and fast, this is Bach at his jolliest! Regisstration: Man. 1 Prinzipal 8 + Oktava 4 + Sufflet 1 +Cymbeln 2 rank; Man. 2: Gedackt 8
+ Rohrflöte 4 + Nassat 3 + 2 Prinzipal; Pedal 16 Subbass+ Man. II/Pedal coupler.
[3:31]
Midi file available.
HW1
- Pachelbel, Johann: Magnificat Quarti Toni
- Eight fugues not related to any particular Chorale tune. Manual I alternates and sometimes couples with Manual II, except for the last Fugue, which
utilizes a fuller organ with pedal for a fulfilling conclusion.
[9:57] (A=465)
HW1
- Buxtehude, Dietrich: Canzonetta in G minor, BuxWV 173
- Two-measure motiv that basically follows the circle of fifths, repeated in all 4 voices with out much embroidery. An extra tenor note (A) was added in
the last measure to fill out the harmony, and the final cadence is bolstered by the Pedal. Registration: HW Principal 8' + Octava 4' + Octava 2' +
Qvinta 1 1/2' + Sufflet 1'; Pedal Subbass 16'. Score courtesy of Ian Dyson.
[1:20] (A=465)
HW1
- Bach, Johann Sebastian: Jesus Christus, unser Heiland, BWV 666
- An exquisitely calm setting of a Lenten text for manuals alone, with a single pedal note underlying the ending. Registration: Principal 8' and Octave
4'.
[3:46] (A=465)
Midi file available.
HW1
- Pachelbel, Johann: Wenn wir in höchsten nöthen sein
- For one manual with Chorale in soprano voice. Registration: Principal 8' + Gedackt 8' + Octava 4' + Rohrflöte 4' + Nasat 3'.
[2:33] (A=465)
HW1
- Sweelinck, Jan Pieterszoon: Echo Fantasia 1 (Dorian)
- A long exposition precedes the sort of echo passages which contrast one manual with another, marked in the score by f[orte] and p[iano]. The Phantom
Organist perceived a few more playful echoes possible near the end that were not written in the score. Registration: Man. 1 (forte): Principal 8 +
Oktava 4 + Sufflet 1; Man. 2 (piano): 8 Gedackt + 4 Rohrflöte.
[8:12] (A=465)
Midi file available.
HW1
- Bach, Johann Sebastian: Gelobet seist du, Jesu Christ, BWV 697
- Four-voice fughetta on the Christmas hymn for one manual and pedal (coupled to Man. II).
[0:50]
HW1
- Pachelbel, Johann: Ricercare in C minor
- A chromatic theme pervades the first two sections, the first of which is played on Manual 1 (Principal 8 and Octava 4), the second on the Manual 2
(Gedackt 8 + Rohrflöte 4 + Octava 2). A perky little theme enters in the third section, which is combined with the chromatic theme on Man. 1 with the
Quinta 1 1/2 added to the former sounds.
[5:1] (A=465)
Midi file available.
HW1
- Bach, Johann Sebastian: Herr Jesu Christ, dich zu uns wend, BWV 709
- Short but extremely florid setting of this chorale. Registration: Man 2 Chorale Full cornet; Man 1 Principal 8' + Octava 4'; Pedal Subbass 16' + I/PD
coupler.
[1:38] (A=465)
HW1
- Buxtehude, Dietrich: O Lux beata Trinitas, BuxWV 216
- Very attractive little fughetta which ends on an unstable chord (VII.64). Score provided by Boris Mudrinic.
[0:48] (A=465)
HW1
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