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UPDATED 06/08/2008
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FEATURED INSTRUMENT CONCERT
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Casavant, Opus 3246 (1975) at Grace Lutheran Church, Champaign, Illinois - Samples by Brett Milan
- Bach, Johann Sebastian: Trio Sonata No. 6, BWV 530
- Three movements: Vivace (G Major) - Lento (E minor) - Allegro (G Major)
[13:31]
HW1
- Bach, Johann Sebastian: Allein Gott in der Höh, BWV 664
- The sparkling trio is based on the chorale theme (often translated "To God Alone Be Glory"), which is briefly stated in the pedal at the end
[5:13]
Midi file available.
HW1
- Bach, Johann Sebastian: Symphonia to Cantata 35, BWV 035a
- Transcription of the 1st movement of the Cantata for the Twelfth Sunday after Trinity, this lively symphonia is reminiscent of the Brandenburg
Concertos.
[6:44]
Midi file available.
HW1
- Bach, Johann Sebastian: Werde munter, mein Gemüte, BWV 1118
- The melody more famous as "Jesu, Joy of Man's Desiring" plays hide and seek, switches meters, explores medieval harmony briefly and ends as sweetly as
it began. From the Neumeister Chorale Collection.
[1:24]
HW1
- Bach, Johann Sebastian: Aus tiefer Noth schrei' ich zu dir, BWV 686
- The rich 4-part tapestry on the manuals is penetrated by a double canon of the chorale subject, a German chorale whose text is based on Psalm 130, De
Profundis ("Out of the Depths").
[4:26]
HW1
- Bach, Johann Sebastian: Fantasia and Fugue in A minor, BWV 561
- Many virtuoso passages, full of section changes and echoes in the prelude, the fugue ends with flourishes and arpeggios leading to an Adagio which
contains a wake-up fanfare near the end. All very Buxtehudan.
[8:6]
HW1
- Pachelbel, Johann: Prelude in D minor
- An organ showpiece with parallel pedal solos and pedalpoints, a lyrical softer section, some antiphonal chordal passages, and a final pedalpoint
culminating in a grand ending.
[5:6]
HW1
- Bach, Johann Sebastian: Prelude in G Major, BWV 568
- Another early work very much in the spirit of Buxtehude, Bach uses 5 pedal points with manual
scales, interrupted by pedal cadenzas and/or huge chords in the manuals.
[2:59]
Midi file available.
HW1
- Bach, Johann Sebastian: Vater Unser im Himmelreich, BWV 682
- Rhythmically complex accompaniment hides the cantus firmus in canon on two manuals and pedal. The characteristic appogiatura motive reminds one of
some of the variations in The Art of the Fugue.
[5:20]
HW1
- Brahms, Johannes: Mein Jesu, der du mich
- The first of the eleven Organ Chorale Preludes, Opus 122, published posthumously. This is one of the more esoteric of the entire set, but certainly
has its lush moments.
[4:3]
HW1
- Brahms, Johannes: Prelude and Fugue on O Traurigkeit
- The prelude presents the chorale on a solo reed stop accompanied by a generally ascending triplet pattern, which results in a slight tug when the
duple and triple rhythms occur at the same time. The exquisite fugue is in three voices, with the chorale sounded slowly in the pedal.
[4:33]
HW1
- Buxtehude, Dietrich: Prelude, Fugue and Ciacona in C, BuxWV 137
- The Prelude, Fugue and Ciacona is an organ showpiece with plenty of pedal solos. Typically sectional writing with occasional flourishes, it ends with
a repeating pedal theme, or ciacona.
[5:19]
HW1
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