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UPDATED 03/18/2010
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The Compenius Organ - Compilation of 17th century Baroque organs - Samples by Brett Milan and Dr. Yves Petit-Clerc
- Krebs, Johann Ludwig: Trio in Eb, Br II:28
- Two sections: Adagio (uses 2 combinations) and Non molto allegro, a charmingly ornamented lark (uses 14 combinations). Parallel 3rds, 6ths and heavy
ornamentation abound in both movements. Impulse reverberation has been added.
[4:45]
HW1
- Gigout, Eugène: Sortie
- No. 10 from Ten Pieces for Organ, Based on the tune "Adoremus in aeternum." Ponderous chords lead to a fugal exposition with the choral tune as a
subject in two tempi, then the Cantus enters the pedal in what would almost appear to be a baroque treatment, but for the spectacular Hollywood
ending. Impulse reverberation added.
[4:17]
HW1
- Bach, Johann Sebastian: Concerto in G Major after Ernst, BWV 592
- Arrangement of concerto by Prince Johann Ernst von Saxe-Weimar. In three movements: [Allegro] - Grave - Presto. Bouncy first movement, pensive slow
movement reminiscent of Handel, and arpeggio-based third movement interspersed with splashy echoed chords. Impulse reverberation added. Registration:
Movement 1 - Movement 2 - Movement 3
[7:25]
HW1
- Walther, Johann Gottfried: Partita on "Jesu, Meine Freude"
- Each piece has a repeat on the first section and is generally lighthearted with a few sudden poignant exceptions and a couple of awkward syncopations.
The rolled chords indicate it was probably for harpsi/clavichord, but an occasional pedal reinforcement at cadences couldn't be resisted. Impulse
reverberation added.
[12:43]
HW1
- Grigny, Nicolas De: Basse de Trompette ou de Cromhorne
- The fifth part of the Gloria in Grigny's Messe IV (which comprises his entire published works), The notes inégales create a slightly rushed atmosphere
which slows down appropriately for the rich lower notes of the Trompette en Chamade, echoed by the Krummhorn. Panning effects and Impulse
reverberation added.
[2:50]
Midi file available.
HW1
- Buxtehude, Dietrich: Praeludium in F Major, BuxWV 145
- The most arresting feature of this "prelude" is a fugue on a simple repeating major second, showing how the simplest materials can be made into boldly
virtuosic sounding displays. Multitrack recording with panning and Impulse reverberation.
[5:50]
HW1
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