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UPDATED 04/10/2008
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JOHANN SEBASTIAN BACH: THE LITURGICAL YEAR
Marcussen & Son Organ / St. Stefanuschurch / Moerdijk (Noord-Brabant, The Netherlands) (1965) - Samples by Ariaan Hoogendijk
- Bach, Johann Sebastian: Nun komm, der Heiden Heiland, BWV 599
- A brief and heartfelt setting of the Advent hymn.
[1:8]
Midi file available.
HW1
- Bach, Johann Sebastian: Gott, durch deine Gute, BWV 600
- Also known as Gottes Sohn ist Kommen, which appear as the lyrics. This is one of the few pieces with registrational instructions
by Bach himself. "Man. Princip. 8.F. und Ped. Tromp. 8 Fuss." The Phantom Organist has included, but added to, these sounds,
[1:27]
Midi file available.
HW1
- Bach, Johann Sebastian: Herr Christ der ein'ge Gottes Sohn, BWV 601
- Charming and cheerful setting of an Advent chorale. Reference to the Morningstar in the text makes this also appropriate for Epiphany.
[1:26]
Midi file available.
HW1
- Bach, Johann Sebastian: Lob sei dem allmächtigen Gott, BWV 602
- The tune is based on the plainchant "Conditor alme siderum," still sung in churches today as "Creator of the Stars of Night."
[0:57]
Midi file available.
HW1
- Bach, Johann Sebastian: Puer natus in Bethlehem, BWV 603
- Haunting setting of a Christmas chorale from the Little Organ Book (Das Orgelbüchlein) or Liturgical Year.
[1:21]
Midi file available.
HW1
- Bach, Johann Sebastian: Gelobet Seist Du, Jesu Christ, BWV 604
- Short setting of a German Christmas chorale from the Liturgical Year.
[1:21]
Midi file available.
HW1
- Bach, Johann Sebastian: Der Tag, Der Ist So Freudenreich, BWV 605
- Christmas Chorale with motives of joy permeating the accompaniment. The chorale melody alternates between the Swell Trumpet and Oboe with added
Cornet.
[1:51]
HW1
- Bach, Johann Sebastian: Vom Himmel Hoch, BWV 606
- A brief but joyous setting of the Christmas chorale "From Heaven on High." The melody is very slightly adorned, and the pedal has a step motive that
to some expresses faith.
[0:48]
Midi file available.
HW1
- Bach, Johann Sebastian: Vom Himmel Kam Der Engel Schaar, BWV 607
- A rather mystical depiction of angels descending and ascending at the time of Christ's birth.
[2:0]
Midi file available.
HW1
- Bach, Johann Sebastian: In Dulci Jubilo, BWV 608
- A gentle canonic treatment of a sweet Christmas chorale.
[1:23]
Midi file available.
HW1
- Bach, Johann Sebastian: Lobt Gott, Ihr Christen, Allzugleich, BWV 609
- The shortest piece of any I've sequenced, this Prelude expresses joyous praise with the chorale in the top part, accompanied by animated scale groups
in alternating contrary and parallel motion.
[0:45]
Midi file available.
HW1
- Bach, Johann Sebastian: Jesu, meine Freude, BWV 610
- This Prelude is dominated by a motive in the bass which is a modified version of what Schweitzer calls the "Beatific Peace Motive." The composition is
filled with an intimate charm and stateliness. From The Liturgical Year.
[2:27]
HW1
- Bach, Johann Sebastian: Christum Wir Sollen Loben Schon, BWV 611
- Bach at his most mysterious, the chorale is in the alto voice, the pedal is constantly descending, the other two voices form an arabesque of unusual
quiet joy. The words dwell on the mystery of Christ's incarnation, and its farflung consequences.
[1:58]
Midi file available.
HW1
- Bach, Johann Sebastian: Wir Christenleut, BWV 612
- Bach in an extroverted Christmas mood.
[1:44]
Midi file available.
HW1
- Bach, Johann Sebastian: Helft Mir Gott's Güte Preisen, BWV 613
- One of the three preludes in the Orgelbüchlein devoted to the passing of the secular New Year.
[1:16]
Midi file available.
HW1
- Bach, Johann Sebastian: Das Alte Jahr Vergangen Ist, BWV 614
- This is a sad and expressive farewell to the secular old year. The solo is on the Rugpositiv Krummhorn 8'.
[1:40]
Midi file available.
HW1
- Bach, Johann Sebastian: In Dir Ist Freude, BWV 615
- A bell-like motive in the pedal emphasizes the idea of ringing in the New Year, but bursts of joy are appropriate any time. A
full complement of couplers is available on this version of the Marcussen samples, enabling several sonic layers.
[2:36]
HW1
- Bach, Johann Sebastian: Mit Fried' und Freud' ich fahr' dahin, BWV 616
- A perfect expression of the Nunc Dimittis, part of Das Orgelbüchlein (aka The Liturgical Year). Known in the Anglican liturgy as The Song of Simeon,
the text has a bit of the German Pietism which contrasts the travails of everyday life with the tranquility of death. One of the many gems contained
in this collections of preludes. This version has been considerably smoothed out and slowed down from previous interpretations, and several note
overlap problems have been fixed.
[2:26]
Midi file available.
HW1
- Bach, Johann Sebastian: Herr Gott, Nun Schleuss den Himmel Auf, BWV 617
- The chorale is presented in two voices, the tenor spins a restless web, the pedal vacillates between octave syncopations and thirds. This is one of
two chorales classified by Bach under "Nunc Dimittis," or the Song of Simeon, describing the condition near the end of life when the burdens of being
human outweigh its benefits.
[2:23]
Midi file available.
HW1
- Bach, Johann Sebastian: O Lamm Gottes, Unschuldig, BWV 618
- An amazing, trancelike piece, based on a Lenten Chorale and utilizing a pervasive grief motive accompanying a canon at the fifth.
[3:17]
Midi file available.
HW1
- Bach, Johann Sebastian: Christe, Du Lamm Gottes, BWV 619
- This is the sublime sort of music that some call "just a bunch of scales." But how artfully these scales are arranged with the chorale into a serenely
haunting landscape.
[1:8]
Midi file available.
HW1
- Bach, Johann Sebastian: Christus, der uns selig macht, BWV 620
- Intensely chromatic double canon on a Passion text, this piece describes Christ's suffering and torment with some tortured harmonies.
[2:3]
Midi file available.
HW1
- Bach, Johann Sebastian: Wir Danken Dir, Herr Jesu Christ, BWV 623
- A joyful song of thanksgiving for the Passion of Christ.
[1:2]
Midi file available.
HW1
- Bach, Johann Sebastian: Da Jesus an dem Kreuze Stund, BWV 621
- This exquisite setting expresses the universal significance of the seven last words of Christ on the cross.
[1:25]
Midi file available.
HW1
- Bach, Johann Sebastian: O Mensch, Bewein' dein' Sünde Gross, BWV 622
- The Phantom Organist as a young organ student had occasion to play this piece at St. John's Episcopal Church for the funeral of an important
University of Southern California dignitary, and the procession arrived near the front just as the music slowed for the dramatic ending, an
electrifying but chilling convergence. The Chorale is sounded on the Solo Cornet with accompaniment on Manual and Pedal Flues.
[4:47]
Midi file available.
HW1
- Bach, Johann Sebastian: Hilf Gott, Dass Mir's Gelinge, BWV 624
- The chorale is a close canon at the fifth which gives an eerie effect, and the wandering accompaniment in the left hand and pedal seem to express the
aimlessness of the unassisted human in singing the praise of God, which is the main thrust of the text.
[1:40]
HW1
- Bach, Johann Sebastian: Christ lag in Todesbanden, BWV 625
- A voluptuous setting of the Easter chorale, from Das Orgelbüchlein, or the Liturgical
Year.
[1:59]
HW1
- Bach, Johann Sebastian: Jesus Christus, Unser Heiland, BWV 626
- Short grand Easter prelude with intense rhythmic drive. Bach packed a lot of power into a very small amount of space here.
[1:9]
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- Bach, Johann Sebastian: Christ Ist Erstanden, BWV 627
- Festive three part setting of an Easter chorale from Bach's Liturgical Year. For
[3:53]
HW1
- Bach, Johann Sebastian: Erstanden Ist Der Heil'ge Christ, BWV 628
- Upward (and downward) surging scale passages join with upward (and downward) skips of a fourth (or fifth) create a satisfying swirl.
[0:58]
HW1
- Bach, Johann Sebastian: Erschienen Ist der Herrliche Tag, BWV 629
- Canon at the octave in the Huvudvaerk Trompette and Pedal, this short Easter Prelude has an infectiousness bubbliness.
[1:1]
HW1
- Bach, Johann Sebastian: Heut' Triumphiret Gottes Sohn, BWV 630
- The last of 6 Easter chorales from Bach's Liturgical Year. The bell-like motive in the Pedal imparts a triumphant exuberance.
[1:32]
HW1
- Bach, Johann Sebastian: Komm Gott Schöpfer, Heiliger Geist, BWV 631
- A hymn to the Holy Ghost as creative inspiration. For Hauptwerk Virtual Pipe Organ.
[0:50]
HW1
- Bach, Johann Sebastian: Herr Jesu Christ, dich zu uns wend', BWV 632
- A cheerful setting with pedal presenting the chorale in dimunition. Both are free settings of the melody, but not identical, so it is not a canon. The
background is build upon the three opening notes of the Chorale, which is a triad - a technique later known as arpeggio, because of its harp-like
quality.
[1:17]
HW1
- Bach, Johann Sebastian: Liebster Jesu, wir sind hier, BWV 633
- The chorale is sounded in canon at the interval of a fifth, separated by only two beats. This is one of two versions from the Liturgical Year
collection.
[1:11]
HW1
- Bach, Johann Sebastian: Liebster Jesu, wir sind hier (Dist.), BWV 634
- The second setiing of this beloved chorale is labeled "distinctius." I have used the same registration for each, just a little bolder for the chorale
and some different ornament for this version. The differences are subtle indeed.
[1:11]
HW1
- Bach, Johann Sebastian: Dies sind die heil'gen zehn Gebot', BWV 635
- From the Orgelbüchlein, this closely imitative piece is a short but grand treatment of the chorale associated with the Ten Commandments.
[1:33]
HW1
- Bach, Johann Sebastian: Vater Unser im Himmelreich, BWV 636
- From The Liturgical Year (Das Orgelbüchlein), a project of which Bach completed 45 of his projected 164 short chorale preludes for the church year,
this beautiful and intimate setting of the Lord's Prayer is dominated by a four-note motive (A-E-G-F) and its inversion (A-E-C#-D), indeed one or the
other appears in nearly every beat.
[1:26]
HW1
- Bach, Johann Sebastian: Durch Adams Fall ist ganz verderbt, BWV 637
- One of the strangest chromatic treatments the Phantom Organist has ever conveyed, and yet it's just as Bach wrote it. The pedal skips in sevenths
(depicting Adam's fall?) under the tortured chromatic changes, and it appears to change keys abruptly several times at the end (disorientation at
being thrown out of Paradise?).
[2:3]
HW1
- Bach, Johann Sebastian: Es ist das Heil (Gottes Sohn ist Kommen), BWV 638
- Exuberant Christmas Chorale from the Little Organ Book for full plenum.
[1:8]
HW1
- Bach, Johann Sebastian: Ich ruf' zu dir, Herr Jesu Christ, BWV 639
- A simple but elegant trio for oboe and flute stops.
[1:44]
HW1
- Bach, Johann Sebastian: In Dich hab' Ich gehoffet, Herr, BWV 640
- Short and serene setting of a hopeful chorale from Das Orgelbüchlein, a.k.a. The Liturgical Year.
[1:10]
HW1
- Bach, Johann Sebastian: Wenn wir in höchsten nöthen sein, BWV 641
- Highly ornamented chorale over subdued background. Another depressing Lenten text describing a place some of us find ourselves in from time to time.
[1:36]
HW1
- Bach, Johann Sebastian: Wer nur den lieben Gott lässt walten, BWV 642
- Motives of joy and devotion comingle in this energetic setting for the Hauptwerk Virtual Pipe Organ. The text recommends an intuitive spiritual
approach to life rather than trying to get your way all the time.
[1:42]
HW1
- Bach, Johann Sebastian: Alle Menschen müssen sterben, BWV 643
- A tranquil acceptance of the concept that "all are mortal." From The Liturgical Year.
[1:30]
HW1
- Bach, Johann Sebastian: Ach wie nichtig, ach wie flüchtig, BWV 644
- The last chorale from Das Orgelbüchlein, this is a breezy portrayal of how fleeting life is. The flowing of waters, the drifting of clouds and
something unspeakably futile about man's ascent and waning, scholars have read all that into this tiny piece.
[0:51]
HW1
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