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UPDATED 06/08/2008
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FEATURED INSTRUMENT CONCERT
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Three Manual Organ based on Schantz Organ at First Baptist Church of Riverside, California (1966) - Samples by Jonathan Orwig
- Franck, César: Chorale III
- Dedicated to "mon élève Augusta Holmes," this is the third of the monumental Trois Chorals written near the end of Franck's life. It includes the
sumptuously beautiful Adagio in A Major, which is often played by itself. Impulse reverberation added.
[10:55]
(3 manual version)
HW1
- Krebs, Johann Ludwig: Fugue in Am, Br II:17
- While it is very recognizable from its first three repeated notes, the fugue subject seldom appears in this fugue. Registration: GT Flute Harmonique
8' + Gedackt 8' + Octave 4' + Waldflute 2' + Larigot 1 1/3' + SW-GT 8'; SW Mixture IV; PD Bourdon 16' + Octave 8' + Choral Bass 4' + Mixture III;
GT Principal 8' + Mixture IV added at end.
[3:58]
(3 manual version)
HW1
- Stanley, John: Trumpet Voluntary
- Second movement of Voluntary V from his Opus 6. Though there have been many elaborate arrangements, these are Stanley's notes with a fair
approximation of his ornaments. In this version the left hand is transferred to the pedal and the resources of a three-manual organ are applied to
everything else, with Impulse reverberation added. Thanks to Tom O'Driscoll for the score.
[2:24]
(3 manual version)
HW1
- Bach, Johann Sebastian: Valet will ich dir geben, BWV 735
- Fantasia on the German funeral tune which is often used in American churches with the words "All Glory, Laud and Honor" for Palm Sunday processions,
for full organ and pedal. Output volume -6dB, Young Temperament, Impulse reverberation added. WAV file is available in RAR format: here (20.3 MB).
[3:11]
(3 manual version)
HW2
- Gigout, Eugène: En forme de Légende
- In three sections: Andante, Quasi Allegretto and Tempo Primo, with a grand climax near the end that gradually recedes to the quiet way it began.
[4:56]
(3 manual version)
HW1
- Stanford, C. V.: St. Patrick's Breastplate, Op. 153 No. 3
- From Sonata 4, "Celtica," this is a fantasy on the hymn, its bold 6/4 rhythm and staticly repositioned chords interspersed with episodes in common
meter and punctuated with fancy finger- and footwork. There is even a passage reminiscent of César Franck's Second Chorale. Impulse reverberation
added. Thanks to Tom O'Driscoll for the score.
[7:4]
(3 manual version)
HW1
- Karg-Elert, Sigfrid: Komm, Heiliger Geist, Herre Gott, Op. 65, No. 39
- Pretty much a neobaroque treatment with the Chorale in the Soprano throughout, but with a surprise romantic ending. Impulse reverberation added.
[2:9]
(3 manual version)
HW1
- Karg-Elert, Sigfrid: Valet will Ich dir gegeben, Op. 65, No. 11
- The Chorale appears from time to time in the Pedal, where it is given more sonic prominence according to the composer's instructions. Registration: SW
Rohrflute 8' + Octave 4'; CH Erzahler 8' + Unda Maris 8' + CH-CH 4' coupler (with and without the SW Voix Celeste 8'); GT Harmonic Flute uncoupled; PD
Lieblich Gedackt 16' + Nachthorn (or Octave 8' to highlight the Chorale).
[2:3]
(3 manual version)
HW1
- Krebs, Johann Ludwig: Fugue in F, Br II:13
- The subject of the fugue is inverted about halfway through, but comes in right side up at the end in the pedal.
[2:34]
(3 manual version)
HW1
- Krebs, Johann Ludwig: Trio in Cm, Br II:23
- Marked "Andante," this elegaic trio draws from a large palette of note values - from whole notes to 64th notes, which enhances the aura of
spontaneity.
[4:10]
(3 manual version)
HW1
- Karg-Elert, Sigfrid: Macht hoch die Tür, Op. 65, No. 8
- Tour de force marked "Allegro brioso e brillante." And that's just the tempo indication!
[2:5]
(3 manual version)
HW1
- Grigny, Nicolas De: Récit de Cromorne
- In this version the fourth movement of the Veni Creator, the Choir Clarinet stop with added 2 2/3' fills in for the Cromorne, against Swell Rohrflute
8' coupled to Great Flute 4'. Recorded at maximum output volume.
[2:24]
(3 manual version)
HW1
- Pachelbel, Johann: Ein feste Burg ist Unser Gott
- Fughetta on the Chorale followed by 16th note figurations in 2 manual voices with slow version of the Chorale in the Pedal.
[4:30]
(3 manual version)
HW1
- Karg-Elert, Sigfrid: Nun lasst uns Gott dem Herren, Op. 65, No. 31
- Subtitled "Allemande" but with unusual bravura, even for this composer. Impulse reverberation added.
[2:12]
(3 manual version)
HW1
- Vierne, Louis: Carillon de Westminster
- A virtuosic perpetual motion piece punctuated by the peals of the Westminster Chimes. Very adventurous harmonies put one in mind of modern composers
Steve Reich, John Adams or Arvo Pärt. Impulse reverberation added. Thanks to Jon Brannon for the score.
[6:30]
(3 manual version)
HW1
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