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UPDATED 03/18/2010
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FEATURED INSTRUMENT CONCERT
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Chr. Müller cabinet organ (1741) reinstalled in Maria-church of Oosterwijtwerd, Groningen (1845) - Samples by Hauptwerk.nl
- Krebs, Johann Ludwig: Ach Gott! erhör meinem Seufzen, Br III:01
- Very sad organ piece whose name says it all. Stripped of all dynamic changes with no soloing out of the melody, it is still evocative. Manuaal:
Holpijp 8' + Viola di Gamba 8' + Fluit 4'; Pedaal Bourdon 8' + Holpijp 8' + Viola di Gamba 8' + General Tremulant. Brad Lehman Temperament.
[4:7]
HW2>3
- Bach, Johann Sebastian: Wo soll ich fliehen hin, BWV 646
- Manual Holpijp 8' + Fluit 4' + Octaaf 2 (B&D); Chorale in Pedal Prestant 4' + Octaaf 2'. Traktuur in Pedal only. WellTemperament-Kellner.
[2:0]
HW2>3
- Froberger, J. J.: Capriccio VII
- Multi-sectional. Fughetta in common meter (Holpijp 8' + Octaaf 2' [B&D]), then 3/4 (Holpijp 8' + Prestant 4'), then common meter wiith a consistent
rhythmic pattern of an eighth followed by two sixteenths (Holpijp 8' + Prestant 4' + Octaaf 2' [B&D]), then dotted eighth-sixteenths and dotted
sixteenth-thirty-seconds (Holpijp 8' + Fluit 4' + Octaaf 2' [B&D]), then 12/8 with its own unique rhythmic signature (Viola di Gamba 8' + Fluit 4'),
finally an uncommon stretto-like passage in common meter, with some interesting cross relations (Holpijp 8' + Viola di Gamba 8' + Prestant 4' + Fluit
4' + Octaaf 2' [B&D]). Since this is a new "toy," a few buttons were pushed: Klok (church bells) at beginning and end, Manual Traktuur (keyboard
noise), and Motor (organ blower). The temperament was equal.
[5:40]
HW2>3
- Buxtehude, Dietrich: Nimm von uns, Herr, du treuer Gott, BuxWV 207
- The tune also is known as "Vater Unser" and this setting consists of 4 verses, two for manual alone, (v. 1, Holpijp 8' + Fluit 4' + Octaaf 2' [B&D],
v. 2 replace Fluit with Prestant 4'), a more elaborate pedal version with embellished chorale (which almost perfectly fits the divided keyboard if the
player transposes the left hand down an octave--Manuaal Fluit 4' + Octaaf 2' [B&D] + Prestant 8' [D] + Sesquialter; Pedaal Bourdon 16' + Viola di
Gamba 8' + Prestant 4'), and ending with a two-voice setting for manual alone (Holpijp 8' + Viola di Gamba 8' + Fluit 4' + Prestant 4' + Octaaf 2'
[B&D]. Time needed to be adjusted for the convincing groan upon changing registers for verse 3. WellTemperament-VallottiYoung.
[6:32]
HW2>3
- Zachau, Friedrich Wilhelm: Praeludium 1
- Four voices with suspensions. Registration for both preludes here. Alternate tuning Martinus "stretched" temperament. Score here.
[1:13]
HW3.11
- Boehm, Georg: Praeludium in F dur
- In 2 repeated sections, the first dominated by scalar passages in many note values, the second utilizing primarily a dotted eighth + sixteenth
rhythmic pattern. Section 1: Holpijp 8' + Viola di Gamba 8' + Prestant 4' + Octaaf 2' [B&D] - for repeat, Prestant was replaced with Fluit 4'. Section
2: Holpijp 8' + Prestant 8' [D] + Prestant 4' + Fluit 4' + Octaaf 2' [B&D] - for repeat, Fluit and Octaaf were replaced with Viola di Gamba 8'.
WellTemperament-Young. Organ blower and Manuaal Traktuur (keyboard noises) were present throughout.
[3:11]
HW2>3
- Bach, Johann Sebastian: Erhalt uns, Herr, bei deinem Wort, BWV 1103
- A most straightforward setting of a chorale associated with a scurrilous text that modern people may want to ignore. Registration: Manuaal Holpijp 8'
+ Viola di Gamba 8' + Fluit 4' + Octaaf 2' (B&D) coupled to Pedaal Bourdon 16 (ad lib). Meantone Fifth Comma Temperament
[1:26]
HW3.11
- Walther, Johann Gottfried: Concerto del Sr. Torelli in A minor
- One of three Torelli concerti transcribed by Walther. Three movements on one manual and pedal. Temperament: Kirnberger 3. Registrations here.
[7:10]
HW2>3
- Bach, Johann Sebastian: Symphonia to Cantata 12, BWV 012a
- Transcription of the 1st movement of the Cantata for the Third Sunday of Easter, known as Jubilate. The text "Weeping, wailing, grieving, fearing,
dread and need are the Christians' tearful bread" is merely an introduction to an ultimately redemptive cantata. Martinus "Stretched" Temperament.
[1:46]
Midi file available.
HW3.11
- Bach, Johann Sebastian: Wer nur den lieben Gott lässt walten, BWV 690
- Delicate 4-part manual treatment with repeats using a gentler registration. The text urges patience, but it is juxtaposed by the rhythmic drive of the
music. Registration: Holpijp 8' + Viola di Gamba 8' + Prestant 4' (Prestant replaced with Fluit 4' for repeats). Young Temperament.
[1:50]
HW3.11
- Weckmann, Matthias: Toccata in D minor (I)
- Held chords with scalar passages, eighth-note repeated chords with 16th-note solos in various registers, some light syncopation and occasional
emphasis by the Pedal--sounds like an Italian "touch piece." Registration: Manuaal Holpijp 8' + Prestant 8' [D] + Prestant 4' + Octaaf 2' [B & D];
adlib Pedaal Bourdon 16' + Viola di Gamba 8'. Pedaal and Manuaal Traktuur. Temperament: MeanTone-SixthComma.
[2:58]
HW2>3.1
- Zipoli, Domenico: Canzona en fa maggiore
- Playful and relentless with slight ornamentation. Registration:
Holpijp 8' + Prestant 4' + Octaaf 2' ()B&D) + Prestant 8' (D); uncoupled Bourdon 16' in Pedaal at end. Valotti-Young Temperament. Zipoli scores.
[3:4]
HW2>3.1
- Franck, César: Poco allegretto in G Major
- Restful, hopeful, sweet. Terrace dynamics used instead of swell shades. Stage 1: Manuaal Viola di Gamba 8', Pedaal Bourdon 16' + VdG 8'.
Stage 2: add Holpijp 8' to Manuaal ; Stage 3: add Fluit 4' to Manuaal and Holpijp 8' to Pedaal; revert; revert.
WellTemperament-Seventh Comma.
[1:23]
HW2>3
- Zipoli, Domenico: Quattro versi en mi minore
- Verso 1: Manuaal Holpijp 8' + Viola di Gamba virtually coupled to Pedaal Bourdon 16' ; Verso 2 Manual Holpijp 8' + Fluit 4', Pedaal Bourdon 16' +
Viola di Gamba 8'; Verso 3: Manuaal add Octaaf 2' (B&D), Pedaal add Prestant 4'; Verso 4: Manuaal replace Fluit 4' with Prestant 4, Pedaal the same as
#3. Werckmeister 3 Temperament. Zipoli scores.
[2:43]
HW2>3.1
- Reger, Max: Nun komm, der Heiden Heiland, Op. 67, No. 29
- Marked "Ziemlich langsam" (somewhat slow), many disjunct tonalities are created by chromatic passing tones. Registration: Manuaal Viola di Gamba 8' +
Fluit 4'; Pedaal Bourdon 16' + Holpijp 8'; Tremulant overall. Temperament Organ-Gabler.
[1:5]
HW3.11
- Bach, Johann Sebastian: Als Jesus Christus in der Nacht, BWV 1108
- Flowing chorale and one sweet variation on another obscure old text. Manuaal Holpijp 8' + Prestant 4', Pedaal Bourdon 16' + Viola di Gamba 8'.
Variation: Manuaal adds Octaaf 2' (B&D), Pedaal adds Fluit 4'. Valotti-Young Temperament.
[2:3]
HW3.11
- Bach, Johann Sebastian: In Dich hab ich gehoffet, Herr, BWV 712
- Fughetta in 12/8 meter, for manuals alone. The melody is cleverly disguised in the soprano voice. Registrations: (1) Holpijp 8' +
Fluit 4' (2) + Viola di Gamba 8' (3) - Fluit 4' + Prestant 4' (4) + Fluit 4' (5) + Octaav 2'
(B&D) (6) + Prestant 8' D. WellTemperament-SeventhComma.
[2:2]
HW3.30
- Tallis, Thomas: Veni Redemptor, Setting 1
- Somewhat polyphonic 4-voice composition with some interesting cross-relations and timbre shifts. Registration: Holpijp 8' + Prestant 4' + Viola di
Gamba 8'. Temperament Ordinaire. Scores here.
[1:16]
HW3.11
- Kuhnau, Johann: Auf meinen lieben Gott
- This straightforward fughetta for four voices is attributed to Kuhnau. Registration: Manual Holpijp 8' + Viola di Gamba 8' +
Prestant 4' + Fluit 4'; Ad lib Pedal Bourdon 16' + Viola di Gamba 8' + Prestant 4'. MeanTone-Sixth Comma Temperament.
Preceded by the Klok ringing 8 bells.
[2:5]
HW3.30
- Galuppi, Baldassaro: Allegro
- Marked "con goia," in two voices and two repeated sections. RH Manuaal Holpijp 8' + Fluit 4'; Pedaal Viola di Gamba 8' + Fluit 4' - for repeat both
Fluit 4's are removed) - reverts to first - for repeat Manuaal Prestant 8 [D] + Holpijp 8' and Pedaal Bourdon 16' + Viola di Gamba 8' + Fluit 4'.
WellTemperament -SeventhComma. Restored to original key. Score
courtesy of the Warner Icking Music Archive.
[2:55]
HW3.11
- Sweelinck, Jan Pieterszoon: Dies sind die heiligen [zehn] Gebot
- Two verses, the first on the gentler stops (Viola di Gamba 8' + Fluit 4'; PD Bourdon 16' + Holpijp 8'), the second on more forthright ones (Holpijp 8'
+ Prestant 4' + Octaaf [B&D]; PD Bourdon 16' + Viola di Gamba 8' + Fluit 4') to simulate 2 manuals. Temperament Tenth Comma. Motor (blower) on, both
Traktuurs on, with some banging about from the stop action.
[2:8]
HW2>3
- Fischer, J. K. F.: Prelude 18
- From Ariadne Musica (1702), for one Manual (Holpijp 8' + Prestant 4') and Pedal (Bourdon 16' + Viola di Gamba 8') ad lib.Temperament: Organ
Gabler. Fischer scores here.
[1:16]
HW3.23
- Pachelbel, Johann: Gott Vater, der du deine Sonn'
- Four part setting for one manual, Chorale in Soprano voice. Registration: Manuaal Holpijp 8' + Fluit 4' + Octaaf 2' (B&D), Pedaal Bourdon 16' at end.
WellTemperament-SeventhComma.
[1:38]
HW3.11
- Walther, Johann Gottfried: Ach Gott! erhör meinem Seufzen
- For three voices on one manual, the chorale is playfully introduced with thirds in the upper voices. Registration: Prestant 8' (D) +
Holpijp 8' + Prestant 4' + Octaaf 2' (B&D).
Kellner Temperament
Score here.
[1:1]
HW3.30
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