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UPDATED 03/18/2010
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The Hinsz-Organ at Leens in the province of Groningen (1733/34) - Samples by Hauptwerk.nl
- Buxtehude, Dietrich: Praeludium in G minor, BuxWV 150
- More lyrical and laid back than usual most of the way, but with a strongly angular 5-note motiv that piles repeatedly at the end. Valotti-Young
Temperament.
[6:34]
HW3.11
- Bach, Johann Sebastian: Wo soll ich fliehen hin, BWV 694
- Somewhat similar in concept to the Schübler chorale of the same name, with a quasi-pedal in the left hand (HW Quintadeen 16' + Roerfluit 8' +
Speelfluit 4'), flowing part in the right hand (RW Fluit does 8' + Holfluit 4' + Quint 1-1/3'), the choral in the pedal (Octaaf 4' + Cornet 2').
Organ-Gabler Temperament.
[3:27] (a=404 Hz)
HW3
- Pachelbel, Johann: Wenn mein Stündlein vorhanden ist
- Two versions: one using Hoofdwerk Rohrfluit 8' + Vox Humana 8' + Tremulant, the second using Prestant 8' + Speelfluit 4' + Tremulant, each assisted
at end by Pedaal Bourdon 16'. Temperament: Organ-Gabler.
[8:59] (a=404 Hz)
HW3
- Grigny, Nicolas De: Fugue à 5 (A Solis Ortus)
- The second movement of A Solis Ortus. Registration: RH 2 voices on Rugwerk Fluit does 8'+ Holpijp 4' + Octaaf 2' + Sexquialter 2 sterk;
LH 2 voices on Hoofdwerk Trompet 8';
Pedaal: Prestant 8' + Octaaf 4'. Temperament: MeanTone Modified Sixth Comma.
[2:45] (a=404 Hz)
HW3
- Bach, Johann Sebastian: Concerto in G Major, BWV 973
- Based on a violin concerto by Vivaldi, op. 7 book 2, no. 2. Three movements: [Allegro] - Hoofdwerk Prestant 8' + Octaaf 4' + Octaaf 2'; Rugwerk
Fluit does 8' + Holpijp 4' + Octaaf 2'; Pedaal Bourdon 16' + Prestant 8'; Largo - RH HW Speelfluit 4' + Octaaf 4' played an octave lower, LH RW
Fluit does 8' + Holpijp 4'; Allegro - RW Fluit does 8' + Holpijp 4' + Octaaf 2' + Quint 1-1/3' coupled to HW Roerfluit 8' + Octaaf 4' + Octaaf
2', PD Bourdon 16' + Prestant 8'. 0dB volume, Temperament Organ-Silbermann. Loaded without reeds, manual 16' or mixtures, all features enabled.
[6:44] (a=404 Hz)
HW3
- Walther, Johann Gottfried: Concerto del Sr. Torelli in D minor
- One of three Torelli concerti transcribed by Walther. One movement on one manual. -4dB output volume, Brad Lehman Temperament. Registration captured
here. To fully load it in XP-32 (<2700 MB), I loaded it 16-bit compressed with only
the multiple loops, Traktuur and Motor disabled. In other words multiple attacks and releases were enabled.
[2:45] (a=404 Hz)
HW3
- Kellner, Johann Peter: Lobt Gott, ihr Christen alle gleich
- Short joyous trio. RH Hoofdwerk Roerfluit 8' + Speelfluit 4' + Quint 3 + Vox Humana 8; LH Dulciaan 8' + Sexquialter 2 St; Pedaal Bourdon 16' +
Prestant 8' + Octaaf 4'. Martinus Temperament. Scores available here.
[1:3] (a=404 Hz)
HW3.11
- Buxtehude, Dietrich: Ich dank dir schon durch deinen Sohn, BuxWV 195
- This somewhat modal setting has three meters: Alla Breve, 3/2, and Common Meter, but four moods. Temperament: Werckmeister III.
[4:41]
HW3.11
- Kellner, Johann Peter: Allein Gott in der Höh
- Ornamented chorale on Hoofdwerk, up to 4-voices on Positif, an exceptionally busy Pedaal, which always contains the Cornet 2'. Martinus Temperament.
Scores available here.
[2:13] (a=404 Hz)
HW3.11
- Bach, Johann Sebastian: Toccata, Adagio and Fugue in C Major, BWV 564
- A rambunctious early piece, with an ethereal middle movement (the Adagio in A minor is often used by itself with a soft ending) that modulates rather
sternly into the key of C again for a playful fugue. A minimum of registration changes seems to suit this piece perfectly. Temperament: Werckmeister
3.
[14:8] (a=404 Hz)
HW3
- Muffat, Georg: Passacaglia
- From "Apparatus - Musico - Organisticus." The opening 8 measures appears a total of 5 times, making it sort of a ritornello. Other than this, unlike
other Passacaglias of the period, the Pedal is quite free to join, or not, in the general festivities. Rameasu Temperament.
[7:43]
HW3.11
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